翻訳と辞書
Words near each other
・ Josef Stránský
・ Josef Stutz
・ Josef Styr
・ Josef Stübben
・ Josef Stürmann
・ Josef Sucharda
・ Josef Sudek
・ Josef Sudek Gallery
・ Josef Suk
・ Josef Suk (composer)
・ Josef Suk (violinist)
・ Josef Svatopluk Machar
・ Josef Svoboda
・ Josef Swickard
・ Josef Swientek
Josef Szeiler
・ Josef Szombathy
・ Josef Szulc
・ Josef Tal
・ Josef Taussig
・ Josef Teichmann
・ Josef Terboven
・ Josef Ternström
・ Josef Thaler
・ Josef the Chaste
・ Josef the Chaste (1930 film)
・ Josef the Chaste (1953 film)
・ Josef Thorak
・ Josef Tichatschek
・ Josef Tomeš


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Josef Szeiler : ウィキペディア英語版
Josef Szeiler
Josef Szeiler (7 August 1948 in Sankt Michael im Burgenland) is an Austrian theatre director. As co-founder of the group TheaterAngelusNovus he is first of all known for his experimental approach to texts by Heiner Müller, Bertolt Brecht, Homer and Greek dramas.
== Overview ==

Josef Szeiler was born in Sankt Michael im Burgenland. At the end of the 1970s he worked as guest assistant for Benno Besson at the Volksbühne Berlin where he met the playwright Heiner Müller, who became a lifelong friend.
Josef Szeiler’s first theatre project in Vienna was Die Schlacht by Heiner Müller. Out of this project arose the group TheaterAngelusNovus which focused on a continuous reflection of theatrical aspects (“Selbstverständigung”) rather than producing small packages of ready made performances that could be consumed in a traditional setting. Still there were regular projects that were also publicly accessible, like the reading of the Iliad in its entire length which was held 1986 at the Vienna Künstlerhaus. The text was read in German in parallel tracks both by members of the group and visitors and also by scholars in the original Greek version. The doors were open during the entire production; people could come and leave, sleep, eat or participate in the readings.
After the split-up of TheaterAngelusNovus in 1988 Josef Szeiler conducted several projects without formal group, such as „FatzerMaterial. Vom Theater ist daher zu Sagen, was man vom Körper sagt“ with Monika Meister at the Institute for Theatre Science at the University of Vienna which focused on aspects of theatre documentation; or HamletMaschine.TokioMaterial, a production of Heiner Müller’s Hamletmachine in Tokyo which ran in parallel to a Japanese adaptation of Shakespeare’s Hamlet.
In 1995 Szeiler produced Heiner Müller’s Philoktet with the painter and stage designer Mark Lammert at the Berliner Ensemble, which was the last theatre production Heiner Müller saw.
In 1998 Josef Szeiler co-founded the group Theaterkombinat Wien, which in 1999-2000 produced MassakerMykene at the abattoir St. Marx in Vienna, working with Bertolt Brecht’s Fatzer Fragment and The Oresteia by Aeschylus.
One of his latest production was in 2006-2007 with the group „Konfiguration – Jenseits des Todes“ at the „Stadt des Kindes“ in Vienna which worked with all antique related texts by Heiner Müller as partial realization of a project involving all texts by the author, which was originally planned for 1996 but was not realized then following the death of the Author.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Josef Szeiler」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.